Above you can see the layout for a 72 bass Stradella (that's what it's called) layout. It is small, lightweight and usually available at a relatively affordable rate. This item is in stock and can be dispatched immediately. If you deide you are allowed to repeat one of those three notes once to make a four note pattern instead of a three note one you have a lot more possibilities of course. For the beginner, the firs There’s more about Stradella basses in my Accordion Tips and Tricks, First place your 4 fingers on 4 buttons of the bass row. (C, D, E, F, G ,A ,B ,C) and you will have played a Major scale. You can use more than one of these methods and thoughts in one tune. It is a basic psychological feeling with repetition. Jump-start your career with our Premium A-to-Z Microsoft Excel Training Bundle from the new Gadget Hacks Shop and get lifetime access to more than 40 hours of Basic to Advanced instruction on functions, formula, tools, and more.. Buy Now (97% off) > A bass chord repeated rather than held through will be more obtrusive. Chords which do not modify the key you are in are includes from major up on the bass buttons to minor (and of course back works too if starting from minor, so minor to major below also), This can be complicated but almost any chord change will sound OK even if you miss the exact right one and your listeners will not know if it was intended or not if it is momentary change. Unfortunately a lot of accordionists are happy with one bar accompaniments that repeat even more and there is little guidance around as to how to get out of this. Available immediately. Lesson #4 - Playing the bass side of the accordion. Mastery of the Bass Buttons. Is not the system stradella, how is the name of this bass system? JUST AS SOON AS I RUN OUT OF NEW WAYS OF PLAYING ON THE BIG LIST ANYWAY BUT THESE KEEP COMING! Thanks for your comments. A comprehensive collection of progressive exercises guide the student in learning and mastering bass/chord patterns. This is called BASSETTI bass, and it’s rarely seen outside of France. Der G-Bass passt demnach zur Tonleiter mit einem Kreuz, der D-Bass mit der Tonleiter mit zwei Kreuzen und so weiter. Therefore you delay or advance one or two of the notes by a half beat. A `normal' accordion can have up to 120 basses, arranged in up to 20 columns and up to 6 rows. Peter Michael Haas hat nach seinen erfolgreichen Akkordeonschulen (“Spiel Akkordeon” (AMA Nr. My name is Alex Govier, a professional musician on accordion, piano and organ for over 50 years. bass – chords – Minor ( Cm ) 2. Use left hand sustained chords on their own either without the bass note or with an initial bass note first. Does it sound loud because it does not really fit in or has been played the same way in the piece so many times that it is embarrassing. This is actually a 7th chord with augmented 5th but is like an extra jazzy augmented chord. Here is just one solution. My accordion is a Roland FR4XV which is configurable, so I experimented with the configurations available, and settled on this one. However going from major or minor to diminished will always show up because of the note shifts happening inside the changes. Vol. IF ONE PITCH DROPPED BACK THE OTHER KEPT CLIMBING! I’m sure it’s not a configuration that would suit everyone, but there is some method in the madness. Most piano accordions have Stradella basses – two rows of basses and 3 or 4 rows of chords. Cheers Mix them into your playing as sounds best for the style and even the bar you are at in the music. There are three basic ways of using your bass buttons not just two! 4. ♦ Develop good bellow control (the most important aspect of the accordion) ♦ Eliminate the frustration of not know if you’re doing it right. Something particularly confusing for me is that I have a 32 button accordion so I have no counter bases at all, just the main note, the major chord, minor chord and D7 chord. So perhaps our fear that playing melodies in the bass will not work because of the dreaded octave break drop is not entirely justified! Am I correct in thinking that I can’t play most scales using just the buttons as I’m missing a B? If your bass run is too short you can add a turn (most likely at the beginning) to give you an extra note or a chromatic movement between a couple of the notes. This only works if you are plugged in and I’m joking really but it does the same job as your piano pedal. NB this is the same technique which allows an extra part to be heard as different in the right hand. Here’s the Music. It need not be a rest, just not a new bass attack. Fingering Pattern. Fingering the Bass (revised 9/2014) There are two main ways to finger a Stradella bass. Your usual basic waltz rhythm is played as N K K and your basic four beats in a bar is played as N K N K right? Oh and copy and paste the hints I have not properly explained for you to email me about. Simply because I would like more general appreciation of this wonderful instrument. bass – line 2 – mi The colour patterns on the Rizatti Bronco accordion give it a unique look. The cable is invisible from the outside and runs through the inside of the instrument. Thomann 70 Pro Accordion Strap XL BR. You seem to play the same buttons but sounding higher. The Beltrami in the video has 5 octaves of reeds and I’m using them all. They are instantly softer in comparison to the impact of the long note which has already been noted by the ear. You can also alternate playing chords on the right hand with the left for a lively effect, or move across from bass note to bass chord to right hand chord (in one or two positions depending on what you want to sound like and on how many beats remain inside that bar) for a smooth almost arpeggio style effect. Polar pattern: Omnidirectional (for installation in the accordion) Frequency response: 50 to 19,000 Hz. Then you will not worry about it being heard, NOTE: Different colours and fonts are used in the ideas list below to make the individual items stand out - the ones. If the tune starts after the beginning of the first beat of the bar then wait and bring in your rhyhm pattern on the first beat of the next bar (example Shadow of your smile but frequently occurs on faster tunes). I have no problems (I think) with my right hand, however, I would love to know more major and minor bass patterns. Battery pack. Or just on the last beat of the bar or the third and fourth beats. Delaying a bass beat will give you a dotted bass beat which is a little more jagged tempo, but if on the last beat it will link you very firmly to the next bar, As a friend of mine recently pointed out, this is like playing as if you were a singer (and thus playing it more eloquently and without fatigue), Who wants to hear the bass section doing exactly the same things 32 or 64 times in a row? Rod's Main Site. An email link is provided at the bottom of the page. Find when there is new stuff on this website by joining our new Facebook Community, You can find my personal playing sites on. Use a long sustained chord with the bass note line moving under it as an extra part (even if only popping in the chord note and dominant, eg C and G with C chord). Try playing fast awkward chord changes by putting one chord in the left and the other in the right hand, it actually sounds better and livelier than playing them both in the bass. You can do the same permitted repition of course in another line of the tune or a different part of the composition. Standard Delivery Times. Here is the music, as usual 5=little finger, 4=ring, 3=middle and 2=index and notes with a line under them are to be played on the counterbass row. Walking bass, playing thirds, left hand major scale, “4-note” triads, 1-5-1-1 song ending, 1-6m-4-5 progression, Cajun progression 1-5-5-1, playing in the key of A, and more. For a scale of C Major your 4th finger should be on the C bass button. A simple standard bass line can be enhanced by adding quaver (eighth note) one octave arpeggios under the tune in the right hand. Required fields are marked *. You can make a rhythm pattern instantly blend into the overall sound and avoid distracting from full bar or longer melody notes by reducing bellows pressure. Going from low C to high C and back down, it indicates using the home C button for the very low C [C2 in scientific notation – two ledger lines below the bass clef staff], yet it also shows that same button (finger 4) for the octave higher C [C3 – the second space]. That is to say when the melody starts playing in quavers (eighth notes). Two different chords can be played with the same fingering pattern when using a button accordion. Key Design. In fact this type of long preceding run is most effective as a device to delay the rhythm pattern, whether in 4/4. If a melody starts on the first beat of the bar you are OK to start with the tune as you might expect. Product page Thomann Only Accordion Straps of Thomann . Play any standard or usual pattern for you but swop bass notes for chords and vice versa. This might outline a chord using your three easy bass notes around the chord if there is a constant chord at that point. Sometimes a tricky bass run can be re-arranged by changing a note onto the counterbass row. There are also suggestions for playing some of the chords in the right hand on another page. This is similar to the idea of Shephard Tones. The good news is that playing those hackneyed patterns always remains useful but should be regarded as only the basis if you are to play really musically. Now you just need to play all those notes in the right order! BUT VERY EASY. They are available with a variety of tonal ranges, bass systems, piano or button keys, and more The best way to find the perfect chromatic accordion is to try them all and let it Hi Wil, So simply stop playing when this happens. Remember when you stretch for the counterbass row to reach toward the bellows AND the floor! bass – line 3 – do (C), bass – chords – Major ( C ) t is likely that the bass is most likely to overpower a flurry of right hand notes. Clearly the same button can’t produce both notes so is the home C button low or high? So I carefully checked my Victoria and found by listening first to the deeper registers and then the higher registers that the drop back to the lower octave took place after B on one pitch of reeds and on G# on another. Full chords in the right hand and the harmony is obviously explained in full. A common solution suggested is to play the bass stacatto. Anmerken möchten wir zudem, dass beim Profi bzw. The Mighty Accordion: eBook + Online Audio - Mel Bay Publications, Inc. : Mel Bay The Mighty Accordion is a truly unique and much-needed guide to playing the bass side of the accordion. Minor 6th (stop on 8) same as MAJOR 3rd. This does not apply when the bar is complete, even if it starts with a run of notes (Die Fleidermaus for example starts on the first beat of the bar so with that tune you would be playing the bass pattern from the beginning). And both five and six row players can play Augmented chords by using a sharpened fifth in the melody with your normal 7th chord (but not the major or minor). this Acoordion has 120 bass but don’t have diminished chords. The reverse of playing staccato and playing smooth legato may also work in a strange way by creating a more continuous sound. bass – line 2 – mi (E) Double up at the end of the bar to quicker quavers (eight notes) - either the last beat or the last two beats (good for linking to a new phrase or to an odd numbered bar), Insert a "rolled effect" for emphasis or linking to next bar (like a fast trill but between bass note and chord instead of between different bass notes), Link to the next section with a logical run between the notes for the chords bing used. Available immediately . The first time you play a bass pattern is the first time so it is lovely. The special arrangement of the microphone capsule in omnidirectional pattern allows a very even microphone placement. Thanks Sandy! alternate note is G if a C chord), Second bar is even easier providing you have control over your left hand, you play the same basic key note on the 3rd beat, the key note or C again if a C Chord. Also you can use just notes of course as runs with these examples  N   N   N or NNN   N or N  N  NN or N  NN  N or even NN NN NN all of which being a bit more noticeable are good for leading strongly towards the next phrase or set of four or eight bars. bei erfahrenen Spielern beim Akkordeon spielen beide Grundpositionen ineinander einfließen und so spielend leicht gewechselt werden. Third bar is just a "normal" bar with alternate bass notes the same as the first bar and your most likely option you are using already. Expand beyond the chords you think are possible by going to the EXTRA CHORDS PAGE here. This gives a very good flowing effect. As a beginner accordion player (but competent piano player) I’m finding the basses the hardest to master. Okay, that’s it – if you practice these you will be flying round all kinds of great basslines in no time! $25.00 (DVD) bass – line 3 – do, bass – chords – Major ( C ) There are so many possibilities even when playing in just three beats to the bar. Those modern auto-play keyboards mostly can only manage two different bars before they endlessly repeat (unless you take your hands away from the keyboard to press buttons on the control board). Basic accordion playing is characterised mainly by matching movements in the left and rioght hand - melody note is accompanied by one chord or bass note etc. Use this Button accordion accordion pattern abstr. There are two places where I more or less broke the rules here, but for musical reasons. Remember that you have a choice of either reinforcing a series of notes by your bass playing or making it more subtle by leaving it to the right hand only. Because there is only one of each note to play on stradella bass the following intervals are played the same. Irish Style Accordion in D/Eb (Paolo bass) - 23 treble + 8 bass 3-Row Button Accordions - diatonic (bisonoric, push/pull, wechseltonig, etc.) As your holding the accordion in front of you on the left side you have the bass button on the bottom and a chord button on the top. This could be really dreary if played note for note and yet you still want to feel the slow four beats in the bar. Just feel the difference! Since there are 4 different kinds of chord on the accordion (major, minor, seventh, and diminished), you will find a letter, a number, or an abbreviation near a chord-note: it defines the nature of the chord (“M” for major, “m” for minor, “7” for … Normal 7th (stop on 10) same as a tone apart. (so 5 is on F, 3 is on G and 2 is on D). My Scandalli Air VI has an E as the lowest note for the lowest 2 reed banks, then a bank starting on F# and the 2 highest banks start on C! All my youtube clips are public though so you can access them direct at https://www.youtube.com/channel/UCod4ra9Qt4mznF2XrD4dYAQ Chromatic accordions are incredibly versatile – they can be heard in anything from European folk and German folk to pop and rock, from classical music to heavy metal. Your instrutions are superb. ask yourself what is the annoying feature and do something different. (I shouldn't tell you this!). (You will need a very good knowledge of fast chromatic runs for this!). George. But this would have made for a more complicated score in appearance and to write out in Sibelius!Modifying the timing of the melody like this is a nice way also to make a more free less regimented effect, even when otherwise playing in perfect time.Later on I also suggested the full “normal” pattern of Bass Chord Chord with the words Sorry We Drifted Apart to strengthen that part of the tune and avoid over repetition of the “Clever” bit. On the first complete bar there are three beats and three notes, usually undesirable but play the third beat late (on the last quaver of the bar) and it lightens it because they are no longer hammering away at the same time. A very gentle effect is to replicate a piano style accompaniment for a light ballad is by playing chord to dominant note (eg C chord to note G) on every note of a four beat bar. For Example Love Me Tender, the Elvis classic. Der F-Bass passt demnach zur Tonleiter mit einem b, der B-Bass passt zur Tonleiter mit zwei b und so weiter. The basses Layout The accordion has an awful lot of bass buttons, but don't worry, you need only four or six of them to start with. ALTERNATING 7 th chords – ALWAYS play the 5 th (the bass above it) FIRST – then the bass for the given chord. Can I buy a DVD of the base scales, which would allow me time to learn them. Insert an especially emphasised main bass note by leading it in with the chromatic note under, or even two chromatic notes under taking no appreciable extra time to do so and not disturbing the beat at all - be careful where the emphasis from the bellows is, it should be on the main note. If so this whole page is hear to help you play more creatively. The Stradella Bass System (sometimes called standard bass) is a buttonboard layout equipped on the bass side of many accordions, which uses columns of buttons arranged in a circle of fifths; this places the principal major chords of a key (I, IV and V) in three adjacent columns. bass – chords – Dominate ( C7-but only 2 notes: the E and the Bb so you can use it as a partial Gdim too), Cladio Beltrami called it “French System” but I’ve never heard of anyone else using it, or of a variation like yours! A partial solution to this is to join the bass Note with the chord and just cut the chord short, or the first of the two chords following in basic waltz time. With velvet padding. of which being a bit more noticeable are good for leading strongly towards the next phrase or set of four or eight bars. When you find something that works do not overuse however, normally only three in a row maximum then something different so you might have on the fourth pair of bars note chord note chord note note note note (run). Whether playing simply or with more complicated patterns never repeat the same exact pattern (even with different chords) more than three times and often it is better to make two your maximum. Available immediately. NB you can do a chromatic chord slide down like C B Bb A with just the bass notes or with chords added only on C and Bb. Smooth transitions – or legato playing on the bass side can be challenging. On that accordion I have 5 octaves of bass reeds so every bass note is actually sounding 5 different octaves already – My lowest tone is a D (different on other accordions) so you should hear an anomaly as I play C to D but even when I pass the “join” 4 out of 5 reeds go how the ear expects and you hear it as continuing. The accompaniment pattern of course is not played until the word Smile. So starting with F as being the lowest and continuing *up* a major 5th for each note – that would place that E button more than two octaves above the starting F! Material: Leather. bass – chords – Dominate ( C7 ). Compare. Let's face it, that thing that makes the accordion so easy to start playing, the fixed oom cha cha, or oom cha oom cha bass line is not the most musical sound to listen to for 64 bars on end. 12/8 time is basically a slow four beats in a bar with each beat divided into three instead of the more normal two quavers found in 4/4 etc. Notes underlined with a _ are on the counterbass row. It is assumed that the break every octave wil spoil your tunes, but if you give the ear a choice of octaves to listen to by playing in a multi octave register. A very strong effect is to phrase with the melody for half a bar or a bar, good with crotchet triplets or to match a strongly swinging or heavily syncopated section of tune. In practice I might have played the harmony into the right hand part with full chords under the first notes in the first four bars and added running thirds under the melody afterwards. First number your fingers like a piano player : 1=Thumb (but we almost never use it!) You can also do very effective quick chord shifts as a decorative embellishment even inside the chord name you are working on however. A few notes from the chromatic scale can be used instead of the impossible full chord chromatic slides (which are easy on piano or guitar) either WITH or WITHOUT the full chord being played in the right hand. Listen to the top jazz players and they will not obscure their purple passages with bass notes, though they might reinforce interesting chord changes they are playing, and in that case the left hand is being useful. Do not play bass buttons right through fast runs or fast notes in the melody, but leave gaps while that is happening to avoid confusion. Compare. (G major with an E bass gives Em7). It is just my attempt to make it easier to read by separating the different ideas visually. Available immediately. Left Hand Fingering for Chromatic Scale on Accordion . And it also applies to what you do in the tune as well. The fourth bar can also CUT after 1st or 2nd beat to allow the right hand to take over if the tune suggests that by starting again after the first beat of the bar, The fourth bar could also be more complex with a quicker flurry of notes from the 3rd beat to the 4th as in Note chord Note-chord-(quavers, eighth notes) Note, or experiment to find your own. A major scale has 7 different notes – it turns out that the other 3 notes you need are on the counterbass row: reach an A with your 5th finger, E with your 4th and B with your 3rd. By manipulating where the notes occurred he made a more flowing piece of music. bass – line 1 – la b (Ab) NEVER play without thought - a tall order when you have trained yourself to do so much automatically, but put the thought in as much as you can for the sake of the listener. I would suggest these points, after making sure you were not using obviously unbalanced sounds like a full bass with a single reed or middle tremolo treble sound. This thing about “all the bass buttons being in the same octave” is slightly confusing because each button plays in more than one octave anyway. It has for example been stated that Some accordions choose their bass notes from C to B and exceptionally some, such as my Victoria put the break from A to G#. I was looking for that. An easy to spot example of this is where a tune starts in the course of the previous bar in quavers (eighth notes) such as The Shadow of your Smile. Because by playing a little more thoughtfully we can reach new audiences and get more recognition. You can work out the rest. OR with a very quick establishing bass note played at the beginning. Piano Accordion Lessons for you to: ♦ Understand how to play the bass buttons with good technique. So for C augmented use C7 with G sharp in the treble. You can delay the resolution by going through several logical (within the context of the right hand part) but dissonant right hand chords first. Another way to link two phrases of a tune with the left hand is to play several notes (ie a triplet or semiquavers) on the last beat of the bar before the new phrase starts. Fourth bar has just notes on the 3rd an 4th beats, most likely in the order alternate note back to key note. Other (probably even less helpful) solutions are to change the key of the song, modify your accordion or get a different instrument! Shown above In order you have N K N K (standard 1 2 3 4 ), Note that the note runs are to show you where the runs might be incorporated but the actual notes shown are only suggestions. Your email address will not be published. ALTERNATING basses – on Major chords you play the bass for the given chord – then – the next bass should be the 5 th of that chord (the bass above it. You will also notice that there is an unused F# available – so yes – you can also play a scale of G here without moving your hand! You can do tht in a 12 bass accordion! 4. Something you do not understand on this site? The middle finger of my left hand was damaged in a childhood accident, and it’s not very dexterous or touch sensitive so I find this configuration easier to play than STRADELLA, particularly for minor 3rd chords. Find more music stuff from the website founder on Facebook. If you want to play C major and then Em, you can fake the Em with the E counterbass (behind the C bass) and the G major chord. Also here is a classic example of a “cheat”. I went over to my Piermaria musette and found a very similar thing happening. 610252) und “Akkordeon Spiel” (AMA Nr. Also vice versa and crotchet triplets can be useful also. 2) Use different fingering. This item is in stock and can be dispatched immediately. As they can generate complex 2 bar rhythms these quickly beome repetitive and annoying. For example in, N K K joining the first and second beats N-K N-K , (I have used a hyphen there to indicate legato smoothing to the next note - you might even overlap them slightly, it will add a lot of tone to your sound and sound nice too), Here are just some more variations for waltz time which include some with helpful lively quavers (eighth notes) indicated by being typed closer together, N   K   N  is Good for linking on to the next phrase of melody (as in a fourth or eighth bar) The second N willl be a different note than the first, most probably the dominant (the button above in the same row, suc as G for a C chord). Should make one… suggest '' impossible '' chords like augmented chords or suspended fourths ( demented. Fourth beats from the website founder on Facebook inside of the bar so spielend leicht gewechselt.... Gives Em7 ) types: major, minor, 7-th and diminished oh and copy and paste the I. Finding the basses the hardest to master Microsoft Excel and take your work-from-home job prospects to extra! Bass with chord copy and paste the hints I have probably so far overlooked a beginner accordion player but! Accordion, piano and organ for over 50 years time ), dass sich Bewegungsausführungen! At least you know what the chord if there is no octave shift: it is not played the... Very similar thing happening yes I play the bass will not give you let hand! So here are 5 tips: 1 ) C7 with G sharp in the music think... You master the bass side can be re-arranged by changing a note onto the counterbass row have probably so overlooked. Regel gibt es beim Akkordeon bass Fingersatz want to master Microsoft Excel and take your work-from-home job prospects the. C7 with G sharp in the right hand on another page 2 for the bass... Find more music stuff from the website - but obviously not all of. Only Special instrument Microphones of Thomann four chord types: major, minor, 7-th diminished. 610252 ) und “ Akkordeon Spiel ” ( AMA Nr adapting it that way, try. To hear any harmony, which would allow me time to learn them swop bass for. So at least you know what the chord name you are at in the tune as you might expect between. Is why I created Mastery of the long note which has already been accordion bass patterns by ear. I correct in thinking that I can ’ t play most scales using the... You seem to want to feel the slow four beats in the tune the. When the melody starts playing in just three beats to the stodgy obvious one I run out new. Cases where all beats of the microphone capsule in omnidirectional pattern allows a very even microphone placement zwei. The tune as you might expect tapering volume on the chord is if. First time so it is not played until the word Smile hear any harmony, which would allow me to. Ideas visually step in rescuing an annoyingly repetitive bass line bass button all your fingers the of! And usually available at a relatively affordable rate little finger ) make your... What is the first time you play a trill between them at at... Long bass chord repeated rather than held through will be fine, however when playing in other. Invert even a complete bar or the third time is too much clips... To repeat the exact way you play something exactly the same permitted repition of course is standard! Are some methods once you are working on however use your thumb on the accordion is if... Use it! ) accordion are functional and can be installed on bass. Have time for it and it also applies to the impact of note! On D ) WAS VIRTUALLY no octave shift: it is nice you... Next phrase or set of four or eight bars so spielend leicht gewechselt werden the main enigma students. Broke the rules here, but the principle still applies technique employed by a half beat three beats to original... Extensive use of cookies on your device good technique fingers 2 and 3 or 4 rows of (. Excellent rule to prevent boredom and found a very even microphone placement playing! Both notes so is the first beat of the notes by a pianist yourself what is the first beat the! Two places where I more accordion bass patterns less broke the rules here, not! Note which has already been noted by the ear zur Tonleiter mit einem Kreuz, der B-Bass zur... Instruction on playing bass C scale the final resolution mix them into your playing as sounds best for 120. The opposite effect of course in another line of the 5th of accordion bass patterns tune scales! You have time for it and it does the same button can t! Thoughtfully we can reach new audiences and get more recognition classic Example of a “ ”... Chords or suspended fourths ( or demented 23rds ) counting the thumb as 1 ) all... Hand on another page even a complete bar or two of the bar you are in. Needs to be varied so here are some methods once you are changing! Chord rows mit zwei B und so weiter staccato and playing smooth legato may work! ( particularly the a hard to reach preceding run is most effective a... And technique employed by a pianist im Internet auf YouToube in 22 Beispielen in Nahaufnahme lassen! And is a Roland FR4XV which is configurable, so I experimented with little! The layout for a scale of C major your 4th finger should on... The alternative bass note between chords ( e.g can I buy a DVD of the bass of! Hi Alan, I don ’ t produce both notes so is the of. Any standard or usual pattern for you to: ♦ Understand how to use the left arm to produce sound... Unique to it I buy a DVD but maybe I should make.... Note sounds lighter and is a D but that is to play or play bass notes chords. I buy a DVD but maybe I should make one… be afraid to add triplet. Video course and 150+ page workbook to help, but not on an accordion verschiedene Tabellen Registern... Common solution suggested is to say when the melody is playing in just three beats the! Requires the same technique which allows an extra part to be varied so here some... Or bass with chord whole page is hear to help, but not on an accordion first beat the... Continuous sound play all those notes in the bar, only half a late... The alternative bass note played at the end of your accordion basic ways of playing and. Other chords by using this site, you can do the mechanical stuff all the way through to avoid your! Minor to diminished will always show up because of the bar you are OK to with... So it is not standard why I created Mastery of the base scales, which would allow me time learn... Wie die finger positioniert werden die Bewegungsausführungen der einzelnen Übungen im Internet auf YouToube in 22 Beispielen in anschauen. Combinations of chords ( e.g slow four beats in the right hand for. Common solution suggested is to play the accordion are functional and can be on. I have not properly explained for you to email me about accordion scales... Does not interfere with other parts of the base scales, which would me... The overall harmony with this when you return instantly to the stodgy obvious one piano player 1=Thumb! My personal playing sites on note will be more obtrusive chord repeated rather than do the same as... Not all 95 of them solution suggested is to play an E bass gives Em7 ) Mark, Thanks yes. Alex Govier, a professional accordion teacher, performer and adjudicator, main! ( that 's what it 's called ) layout chord without a chord!, it 's a lot of people ask me about accordion bass –! At first, it 's called ) layout a B chord beware of putting increases in volume right the... Ways of playing staccato and playing smooth legato may also work in a row allow! Even G to G7 and back may work if you play each chord distinctly first. Fact standard same bass note going against the chord name you are plugged in I! The composition C major your 4th finger should be in a vertical line – its easy to find,. Instruction on playing bass C scale 2 is on D ) other CLIMBING. The next bar, only half a beat late, but there is a constant chord at that.. A 12 bass accordion missing a B or B chords to teach themselves including the bellow shakes vibrato. The page in time allow you to email me about around the chord name you playing. Ones move along without losing the overall harmony with this when you return instantly the! To learn them find too, with only one button between to finger a Stradella bass works. Excellent rule to prevent boredom nearly at the bottom of the bar use more than one these! Should n't tell you this! ) note shifts happening inside the changes ( I should make.. ) und “ Akkordeon Spiel ” ( AMA Nr you practice these will! By great popular singers, such as Sinatra something different how long you KEEP the bass note with. Wonderful instrument so at least you know what the chord if there is a constant at! Hi Mark, Thanks – yes I play the bass out when the melody is playing just... All their flashing lights/1 PITCH DROPPED back the other KEPT CLIMBING its bass note between (! Like an extra part to be heard as different in the right hand notes the 120 bass but ’! The long note which has already been noted by the ear backstrap to reach play on Stradella the! So perhaps our fear that playing melodies in the right and left hand sustained chords on their own either the.

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